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The layers of azurite pigments, spread over paper as I let the granular pigments cascade. My eyes see much more than what my mind can organize. As the light becomes trapped within pigments, a “grace arena” is created, as the light is broken, and trapped in refraction. Yet, my gestures are limited, contained, and gravity pulls the pigments like a kind friend.

Every beauty suffers. A research scientist friend once told me that the autumn leaves are most beautiful on the trees by the roadside because they happen to be distressed by the salt and pollution. Every sunset is a reminder of the impending death of Nature herself. The minerals I use must be pulverized to bring out their beauty. The Japanese were right in associating beauty with death.

Art cannot be divorced from faith, for to do so is to literally close our eyes to that beauty of the dying sun setting all around us. Death spreads all over our lives and therefore faith must be given to see through the darkness, to see through the beauty of “the valley of the shadow of death”.

Prayers are given, too, in the layers of broken, pulverized pigments. Beauty is in the brokenness, not in what we can conceive as the perfections, not in the “finished” images but in the incomplete gestures. Now, I await for my paintings to reveal themselves. Perhaps I will find myself rising through the ashes, through the beauty of such broken limitations.